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We. Are. Finished. With. DC. - Addendum Part 1

Civility: The Leftinistra Own None Of It
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Obama, Civility and The Clansmen of Dumb
Brain Dead Leftinistra: Their Stoic Civility
Libtards Have No Class - Civility Escapes Their Brain Deadness
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Be It Known - Attention Unconstitutional Congress
Obama: One Big Ass Mistake America
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Good vs Evil…It Is Your Choice
I Apologize For My Nation
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Obama’s Brown Shirts - Civilian National Security Forces
What Is It About The American Liberal?
The Plan To Destroy America
Another Soldier Has Been Given the Haditha Treatment!
Callin’ All The Clans Together
Callin’ All The Clans Together Show
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Constitutionality: The Movement
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Redefining The Center or the Moderate
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We Didn’t Start This Goddamn War!

Copy Cat Frauds of the IAVA

Contract With America
Snooper’s Declaration of Independence
Thanks Obama

Contract From America

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Snooper Report Vindication: Al Qaeda, TWA Flight 800 and OKC Bombing
Clinton alludes to 1995 bombing, says words matter

Missing 13th Amendment
TITLES OF “NOBILITY” AND “HONOR” - The Missing 13th Amendment

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Military Coup Against Obama

The United States Constitution
Our founding document wasn’t set in stone for a reason

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Did Hugo Chavez Sink the Deepwater Horizon Oil Platform?

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Wake Up GOP

This is pretty much a bunch of CRAP, FYI HINT: “MOSTLY TRUE” is a “MOSTLY FALSE” deal which means “MOSTLY TRUE” is a LIE.
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Sunday
Nov212010

Clues to Stubborn Secret in C.I.A.'s Backyard

The CIA Code!  Watch out, brother!  They have a code!

The “Kryptos” sculpture at the headquarters of the Central Intelligence Agency contains a code.

It is perhaps one of the C.I.A.’s most mischievous secrets.

“Kryptos,” the sculpture nestled in a courtyard of the agency’s Virginia headquarters since 1990, is a work of art with a secret code embedded in the letters that are punched into its four panels of curving copper.

“Our work is about discovery — discovering secrets,” said Toni Hiley, director of the C.I.A. Museum. “And this sculpture is full of them, and it still hasn’t given up the last of its secrets.”

Not for lack of trying. For many thousands of would-be code crackers worldwide, “Kryptos” has become an object of obsession. Dan Brown has even referred to it in his novels.

The code breakers have had some success. Three of the puzzles, 768 characters long, were solved by 1999, revealing passages — one lyrical, one obscure and one taken from history. But the fourth message of “Kryptos” — the name, in Greek, means “hidden” — has resisted the best efforts of brains and computers.

And Jim Sanborn, the sculptor who created “Kryptos” and its puzzles, is getting a bit frustrated by the wait. “I assumed the code would be cracked in a fairly short time,” he said, adding that the intrusions on his life from people who think they have solved his fourth puzzle are more than he expected.The Code!

So now, after 20 years, Mr. Sanborn is nudging the process along. He has provided The New York Times with the answers to six letters in the sculpture’s final passage. The characters that are the 64th through 69th in the final series on the sculpture read NYPVTT. When deciphered, they read BERLIN.

But there are many steps to cracking the code, and the other 91 characters and their proper order are yet to be determined.

“Having some letters where we know what they are supposed to be could be extremely valuable,” said Elonka Dunin, a computer game designer who runs the most popular “Kryptos” Web page.

None of this was really envisioned when the Central Intelligence Agency planned the expansion known as the New Headquarters Building in the 1980s and asked artists to submit proposals to create a work of art for the courtyard. The broad principles it provided for the $250,000 commission included the notion that it should “engender feelings of well-being, hope.”

The winner was Mr. Sanborn, and the agency introduced him to Edward Scheidt, a retiring C.I.A. cryptographer, who gave him a crash course in the arts of concealing text and helped devise the codes used in the sculpture.

One reason the fourth puzzle has proved so difficult is because, with just 97 characters, it is shorter than any but the first. Longer chunks of text are easier to crack because there is more information to study for patterns.

The messages form the two left-hand panels of the sculpture’s wall of text; the other two panels on the right side provide the key to cracking some of the text. Each is encrypted in a different way from the others.

Jim Sanborn, the creator of the "Kryptos" sculpture at C.I.A. headquarters, at an astronomical radio observatory in New Mexico.The first reads: “Between subtle shading and the absence of light lies the nuance of iqlusion.” (Mr. Sanborn admitted to introducing misspellings to add a degree of difficulty.)

The second passage includes the latitude and longitude of the C.I.A.’s headquarters and asks, “Does Langley know about this? They should: it’s buried out there somewhere. X Who knows the exact location? Only WW.”

This is a reference to William Webster, the former C.I.A. chief — Mr. Sanborn gave him a key to deciphering the messages.

The third passage paraphrases, with an intentional misspelling, the account of Howard Carter, the renowned Egyptologist, as he opened King Tut’s tomb. Mr. Sanborn has said the passage has inspired him since childhood.

“Slowly, desparatly slowly, the remains of passage debris that encumbered the lower part of the doorway was removed. With trembling hands I made a tiny breach in the upper left-hand corner. And then, widening the hole a little, I inserted the candle and peered in. The hot air escaping from the chamber caused the flame to flicker, but presently details of the room within emerged from the mist. x Can you see anything? q”

Though “Kryptos” has long been famous in code-busting circles, it gained wider notoriety when Mr. Brown slyly referred to it on the dust jacket of his best-selling novel “The DaVinci Code” and incorporated it into the plot of “The Lost Symbol.”
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